Insulting somebody publicly
can be costly
The Zesty Restaurant in
Vancouver is
owned and operated by Salam Ismail and Zesty Food Services Inc.
Guy Earle approached
Mr. Ismail in the early spring of 2007, proposing to host an “open mic”
comedy show at Zesty Restaurant. After a trial performance,
Mr. Ismail agreed. Thereafter, their arrangement was that Mr. Earle (or, in a few cases, another person designated by him)
would host the shows, and act as the master of ceremonies.
On May 22, 2007, Ms. Lorna
Pardy and her friends came into the restaurant from outside and were seated by
the staff in the booth closest to the stage. This was most unfortunate to
Mr. Earle because their noise was disturbing to him as he was the
master-of-ceremonies at an “open mic” comedy show that evening. What was
equally disturbing to him was that he had to pass by their booth when going to,
or leaving, the stage.
As a part-time stand-up comedian in my
younger days, I can say with some authority that noisy customers are unquestionably a constant irritant
and distraction to comics. That is particularly so in late night venues
where liquor is served. Comics will speak of the ‘perfect’ way to handle noisy
customers, but the fact of the matter is that sometimes stand-up comedy is
spontaneous, often unscripted, and sometimes the comics will handle a heckler or
noisy customer with panache and sometimes they will not. It depends on
the comic, and the heckler or noisy customer and many other factors. The
audience generally looks forward to robust exchanges between comics and
hecklers and noisy customers and comics are expected to target the
vulnerabilities of such customers when they counter verbal abuse or excessive
noise. The retort is called a ‘smack-down’. A smack-down is a verbal
‘slap-in-the-face’ to the unruly customer. Hecklers can be pretty abusive in
stand-up comedy shows. Most hecklers or excessively noisy customers are either
drunk or are show-offs. Their motives are either indifference to the feelings
of the comic or alternatively, they want to appear before the other patrons as
being funnier than the comedian on the stage by getting the patrons to laugh at
the comedian.
When I had to endure the
antics of a heckler or excessively noisy customer, I would get the patrons to
laugh at him instead of me. When I would smack down a heckler or noisy
customer, I never insulted him about his physical disability if he was
obviously disabled nor would I make reference to his race. If two men or two
women were sitting alone at a table, I never made a sexual joke about their sex
or sexuality.
These kinds of insults go far beyond
what is considered a proper smack-down. However, I would comment on their
mentality or the size of their mouths. I could get quite nasty in my smack-downs.
In one instance, I said to the audience when a heckler kept interrupting my
routine.
“For every ninety-eight
people in a room, there is a spark of enormous intelligence in their brains.
And then there is the ninety-ninth one in the room who has an ignition
problem.”
For the man with the big
mouth who constantly used loud expletives in his conversation with his table mates,
I said as I pointed my finger to the offender,
“I address my comments to anyone
who is sitting near that man. I suggest that you move away from him because every
time he opens his mouth to speak, he spews shit everywhere.”
In one instance I
said to my audience,
“After looking at that man’s mouth and comparing its size
with the Harlem Tunnel, I have to conclude that the tunnel has to take second
place.”
Then after having insulted the
hecklers, or noisy customers, I would immediately continue with my routine
before they could be heard responding to my insult.
At Zesty's, there was a
sign at the door that said: “Edgiest comedy in town. Not for the faint of heart.”
That isn’t a permissive invitation to insult a patron about her sex or
sexuality. Unfortunately for Guy Earle and the
restaurant, he went beyond the bounds of decency. His smack-down reference to
her sex and sexuality and the other women at her table was a very big mistake
on his part. Here are the comments he said about Ms. Pardy and the other women
at her table while he still had the mike in his hand;
“Don't mind that inconsiderate
dyke table over there. You know lesbians are always ruining it for everybody. Do
you have a strap-on? You can take your girlfriend home and fuck her in the ass.
Are you on the rag; is that why you're being such a fucking cunt? Stupid cunts
and stupid dykes. unquote
He later said to Ms. Pardy;
"Thanks for ruining the evening, fucking dyke. You're a fat ugly
cunt. No man will fuck you; that's why you're a dyke. You fat cunt. Do you want
to be a man; is that why you're such a fucking asshole? Somebody shut her up. Put a cock in her
mouth and shut her the fuck up.”
These comments were not made
in response to any heckling by any of the women. Rather they were a
response to the noise associated with their being moved by Zesty staff from the
patio to booth 3 and asked if they wished to order drinks. The staff was
partly at fault for the noise also. Further, the women were not drunk.
The following night, Mr. Ismail
(the owner of the restaurant) asked Ms. Pardy to leave, and she said that
she would file a complaint against him. He replied, “Go, do whatever you want”.
She then stood up, and loudly told
everyone in the restaurant that Mr. Ismail condoned violence against
women, because he did nothing when she was assaulted the night before.
She left the restaurant, and repeated the same thing on the patio, before
leaving the premises. I think when she used the word, “assaulted” she was
really saying she was assaulted verbally by Mr. Earle.
Ms. Pardy later met with Mr.
Ismail and tried to reach a settlement with him with respect to the manner in
which she was treated in his restaurant. She wanted
Mr. Ismail to acknowledge, take responsibility for, and apologize for the
night before. She also wanted him to compensate her for her broken
sunglasses. She also wanted to obtain admissions from Mr. Ismail about
his responsibility for what she had experienced.
Ms. Pardy was agitated from the beginning of the
conversation. Mr. Ismail initially asked Ms. Pardy to tell him
what had happened. He was conciliatory, apologized, and again offered to pay
for her sunglasses. When Mr. Ismail responded to her attempt to tell
him that she had been assaulted by a comedian from his stage, by saying that
the comedians “made fun of everyone”, she raised her voice, asked him why he
had allowed this to happen and then accused him of failing to take
responsibility for Mr. Earle's actions, all the time, pointing
her finger at him.
Ms. Pardy also told
Mr. Ismail that he was liable for what had happened, and she would hold
him accountable. She further accused him standing nearby, watching what
was going on and doing nothing to stop the comedian from verbally abusing her.
He responded to those accusations by saying to her that he had not been present
in the restaurant at the time. With her telling him that he was liable for what
happened is evidence of her intention to file a human rights complaint against
him and his comedian.
He suggested that the
incidents of the previous night might have been her fault. He asked her
why she did not talk to him that night, why she stayed to the end of the show,
and why she did not call the police, if she thought Mr. Ismail didn’t care
what had happened to her. I should add that the police wouldn’t have charged
anyone that night even if they had arrived.
Despite the fact that Ms. Pardy threw water in Mr. Earle’s face twice when
he deliberately moved too close to their table after insulting her, she didn’t
have to endure the insult she received from Mr. Earle so she filed a complaint
against him and the restaurant with the B.C. Human
Rights Tribunal (the “Tribunal”).
The law in Canada makes
such insulting statements made in public an offence punishable by large
payments being awarded to the victim and paid by the offender. But what section of the law applies in a case
like this?
Section 8 (1) (b) of the British Columbia Human Rights Code
states;
The Tribunal found as a fact
that Mr. Earle's two sets of comments from the
stage, his cornering of Ms. Pardy, his continued verbal abuse of her by
the bar as she returned from the washroom, and his grabbing and breaking of her
sunglasses, had a significant and lasting physical and psychological effect on
Ms. Pardy. The Tribunal found that Mr. Earle's actions
aggravated her pre-existing condition of generalized anxiety disorder with
panic attacks, and based, on medical evidence it accepted, caused her a
post-traumatic stress disorder. The Tribunal also found that
Mr. Earle made false public statements
about Ms. Pardy in an interview that he gave that was subsequently posted
on YouTube, which exacerbated and prolonged these effects on Ms. Pardy. He was
ordered to pay Ms. Pardy, $15.000 and because of Mr. Ismail indifference to Ms.
Pardy’s complaint, he was ordered that his restaurant was to pay her $7.000.
Both Mr. Ismail and Mr. Earle appealed
the decision of the Tribunal to the Superior Court in B.C. in respect to their
finding of guilt against his restaurant and the comedian and they appealed the
award given to Ms. Pardy that was to be paid by Zest Restaurant and by Mr.
Earle. Now this is where the case gets really interesting.
The petitioners challenged the
constitutionality of section 8
of the Human Rights Code
as being overbroad and an unjustifiable infringement of section 2(b)
of the Canadian
Charter of Rights and Freedoms. That part of the Charter guarantees everyone in Canada
the freedom of speech. Broadly stated, the petitioners argued that section
8 does not apply to the content of entertainment and art, particularly stand-up
comedy.
The Charter certainly doesn’t guarantee everyone the right to defame
people so the arguments of those two petitioners went in the same direction that
feces go when it reaches the bowl of a toilet. It is beyond me why lawyers in a
case like that would even submit such a stupid argument.
They
further argued that the Tribunal erred in finding that the petitioners were
providing a service customarily available to the public or that Mr. Earle
was an employee. The
petitioners also sought to set aside the decision because the rulings the
Tribunal gave were procedurally patently unfair because instead of attending
the hearing in person, Mr. Earle chose to address the hearing by phone. Boy, talking about reaching. It was about as
futile as a drowning man reaching his arm out for the shore of an island that
is just over the horizon.
The Superior Court judge said
that the refusal to allow Mr. Earle to attend the hearing by telephone alone was not patently unreasonable. The
reason for this is that an adjudicator wants to see the demeanor of witnesses
and that can’t be done on the phone.
The court also concluded that
Ms. Pardy experienced adverse treatment in the provision of a service
customarily available to the public, and that her membership in one of
enumerated groups, namely her sex or sexual orientation, was a factor in that
adverse treatment. Ms. Pardy’s lawyer submitted that the evidence before the
Tribunal had established that she suffered adverse treatment in the form of
verbal and physical harassment, including deeply offensive comments made by
Mr. Earle directed at her and her friends,
and that she satisfied the necessary test for prima facie discrimination. (prima facie evidence is good and
sufficient to prove a case)
As to damages, the court
concluded that the Tribunal’s award in
her favour was authorized by section
37(2) of the Code,
which allowed the Tribunal to make an order that the respondents “pay to
the person discriminated against an amount that the member or panel considers
appropriate to compensate that person for injury to dignity, feelings and self-respect
or to any of them”. The appellants on the other hand had argued that the
damages should be set aside because the Tribunal’s exercise of discretion was
patently unreasonable; an argument that the court did not accept as being a
valid one.
Mr.
Earle attempted to convince the judge that stand-up comedians endure hardships
and should be given some leeway to thwart the actions of hecklers who interfere
with their routines. His position in this matter was as follows;
“To be clear, stand-up comics
have a tough task. In this case I was an unpaid, volunteer comic who,
under any analysis, was neither an agent nor an employee of Zesty's. But
even if I was, which I wasn't, I can see no reasoning or law that says that the
Code has authority to restrict the content of a performer's
expression. I would have testified that I had no authority to remove a
heckler. No pay. No rights. I couldn't know if the audience
suffered anxiety disorders or how my words may affect them. I couldn't
have known that I was subject to section 8
of the Code,
and that I did not have the protection guaranteed to all Canadians under the Charter, or that I would be held up in the national media as a convicted
criminal homophobe (Vancouver Sun,
front page), or that I would require legal services and expert evidence that
had a value of thousands and thousands of dollars just to enforce my right to
freedom of expression. From my perspective, the right of all Canadians to
freedom of expression guaranteed under the Charter
is a hollow promise. From my perspective, it is now open season for
hecklers to abuse comedians all they like, and even get paid for disrupting
performances if they are successful in goading a comic to the edge. It
can happen to any comic.
First of all, he wasn’t being
heckled by Ms. Pardy or the others at the table. His only complaint was that
they were too noisy. He could have handled the noise at their table in a more
tactful manner. He could have stepped down from the stage and approached them
and politely asked them to keep their talking down until he finished his
routine.
Many years ago, I was giving a
small piano recital to a group of old people and two of them in the front row
kept talking as I was playing the piano. I looked at them twice but they kept
talking. I stood up in the middle of the piece I was playing and immediately
left the building.
Some of Mr. Earle’s statement
is true but an experienced comic knows that he will never, ever win a verbal
fight with a customer. His statement that the Human Rights Code doesn’t have the right to restrict a comic from
what the comic says in his routine is the epitome of stupidity. If the Code didn’t have that right, anyone
appearing on a stage could defame anyone he wants and even advocate that gays
and lesbians should not be permitted to be in public places. How anyone even
with a small portion of his brain cells in his head still functioning has to
know that despite our freedom of speech that is given to all of us, we can’t
defame people or advocate that there be limits on the rights of others who fall
under the protection of the Human Rights
Code.
The Superior court ordered that the decision of the British Columbia
Human Rights Tribunal was to remain as it was and the judge also ordered that Ms.
Pardy’s legal and court costs be added in addition to the $23,000 that they
have pay to her. Plus they had to pay
the fees of their own lawyers.
Humour in any form is an art and like all art, it has to be refined.
Many people can understand a good joke and a humorous remark but not that many
people have the ability to make people laugh at their jokes and humorous
comments. I polished my humour over the years and have never really bombed over
a joke but what I do very carefully, is not to insult a stranger unless that
stranger has insulted me first and that has rarely happened.
People
like to be entertained. They enjoy laughing, and they appreciate a person who
can bring a smile to their faces. They will readily accept almost anyone as a
friend, even a shy stranger who can make them laugh. (That is how I met my wife
while we were on a train in Europe) What decent people will not
accept from a comic or anyone else is an inappropriate insult, especially when the
so-called humorous comment is directed to someone who has the protection of Human Rights Codes.
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